Friday, June 26, 2015

Why Kagan and Ginsburg Should Have Recused Themselves From Gay Marriage Decision

Both Justices Recently Performed Gay Marriage Ceremonies
Federal law states: "Any justice, judge, or magistrate judge of the United States shall disqualify himself in any proceeding in which his impartiality might reasonably be questioned." 
A repost from April 27,2015

Why Justice Kagan Should Recuse Herself, But Won't 

Just last September Justice Kagan officiated at a same-sex wedding.  That's just the latest of a long history of Kagan's LGBT activism.  Justice Kagan is hugely biased on LGBT issues (for obvious reasons) and should recuse herself, but I doubt she will.  She, as well as the 'Wise Latina" Justice Sotomayor were nominated for the court not because of their knowledge and wisdom in all things constitutional, but solely to advance minority agendas. 

Kagan has been committed to the radical campaign pushing acceptance of homosexuality and transgenderism as “Civil Rights." Her unprecedented activism supporting that view as Dean of Harvard Law School calls into question her ability to judge fairly and impartially on same-sex “marriage”.   Working hand in hand with students to expel military recruiters in protest over the Armed Forces’ ban on homosexuals (a “moral injustice of the first order,” she wrote) is only the most obvious example of Kagan’s passionate dedication to this controversial and immoral agenda.


Even before her nomination to the Court, her enthusiastic and committed pro-homosexuality activism at Harvard (including her recruitment to the faculty of radical “gay” activist scholars like former ACLU lawyer William Rubenstein and elevation of radical out lesbian Professor Janet Halley) was highly significant for the making of the nation's next generation of Lawyers and Judges.


So going in, the "Same-Sex Marriage" forces have 3 solid votes, Kagan, Sotomayor and the senile old bat, Buzzy Ginsburg, who also has recently performed same sex marriages ceremonies, and who's record of twisted liberal logic and written dissenting opinion against the spirit of the Constitution is on record for all to see. That leaves only two votes needed to ensconce the LGBT agenda firmly into the fabric of the nation.  


And I doubt very seriously these same 3 Justices would ever see fit to rule assuring my right to self defense by legalizing my carry permit in all fifty states. 

Great Moments in History #24

1949 - George Orwell finishes his Classic Novel  of perpetual war, omnipresent government surveillance, socialism, thoughtcrime and historical revisionism.


Thursday, June 25, 2015

California and Mandatory Vaccination Laws

The "Everything Confederate Must Go" Comes to Town

I listened with interest to the radio this morning for what I knew was sure to come, it has come before in just such similar situations as we have presently......

"Local NAACP President Lloyd Thompson says it’s time for the monument to go. He says it’s a symbol of hate and stirs emotions of divisiveness. He’s asking parish leaders to come up with the funding to tear the structure down. 
But the monument and the land it sits on are owned by the Daughters of the Confederacy and that group has issued this statement: 
"The monument belongs to the Shreveport Chapter of the United Daughters of the Confederacy. It is on the National Registry of Historical Sites and it will not be moved."
Parish Commissioners say it will cost $300,000 to take down the monument. Thompson is also asking that it be removed from the National Registry of Historic Sites."

This particular monument has special significance in Civil War History, and Southern Heritage. On the grounds of the Caddo Parish court house stands the monument erected in 1902 at the last Confederate Capital, near the spot the last Confederate flag was lowered over land after the end of the war.  






It has been a target of groups like the ACLU before, despite it's significance to American history, as well as a representation of a specific period of American Art history.

The Caddo Parish Confederate Monument is of statewide significance under Criterion A as one of four major Louisiana monuments representing what is known by historians as "the Cult of the Lost Cause." More specifically, these monuments are Louisiana's most important representations of the Memorial Period, or second phase (1883 to 1907), of the Civil War Commemorative Sculpture Movement. These monuments represent a significant physical reminder of the period: reflecting the introduction and presence of Civil War monument construction in Louisiana and the role women played in the memorial period. This is an example of Art as History. The Cult of the Lost Cause continued to dominate Southern cultural history in the early twentieth century, and is still alive and well today. - National Park Service - Registry of Historic Places

Regardless of what you views are of this chapter of American history, it is woven into our fabric. You can argue is was an unjust rebellion or justifiable uprising. But what remains as a reminder of it all is not to be destroyed because some opportunist fain offense at the images of America and it's past. If we start down roads such as this, some may not like where it leads..... 

New Democrat Voter Registration Application


Wednesday, June 24, 2015

You Knew It Was Coming: A PC Assault On the Classic Film "Gone With the Wind"


I've never had much respect for film critics, who are mostly failed writers, actors and directors, much  like the obnoxious late Roger Elbert. They are just flap-jawed flunkey's that produce nothing useful.  Film critics are like annoying barking dogs or someone who stands next to you in a art museum and insistently explains the meaning of a painting. 

So it shouldn't be a surprise to anyone that recent discussions of the Confederate Battle Flag and it's perceived racist connotations in today's modern world would also give the political correct film critic a wider opening to go after similar symbols of our traditions in their field of expertize. And Didn't take long at all....

NYP
"If the Confederate flag is finally going to be consigned to museums as an ugly symbol of racism, what about the beloved film offering the most iconic glimpse of that flag in American culture?
I’m talking, of course, about “Gone with the Wind,’’ which won a then-record eight Academy Awards, including Best Picture of 1939, and still ranks as the all-time North American box-office champ with $1.6 billion worth of tickets sold here when adjusted for inflation.
True, “Gone with the Wind’’ isn’t as blatantly and virulently racist as D.W. Griffith’s “Birth of a Nation,’’ which was considered one of the greatest American movies as late as the early 1960s, but is now rarely screened, even in museums.
The more subtle racism of “Gone with the Wind’’ is in some ways more insidious, going to great lengths to enshrine the myth that the Civil War wasn’t fought over slavery — an institution the film unabashedly romanticizes.
But what does it say about us as a nation if we continue to embrace a movie that, in the final analysis, stands for many of the same things as the Confederate flag that flutters so dramatically over the dead and wounded soldiers at the Atlanta train station just before the “GWTW’’ intermission...........
The studio sent “Gone with the Wind’’ back into theaters for its 75th anniversary in partnership with its sister company Turner Classic Movies in 2014, but I have a feeling the movie’s days as a cash cow are numbered. 
It’s showing on July 4 at the Museum of Modern Art as part of the museum’s salute to the 100th anniversary of Technicolor — and maybe that’s where this much-loved but undeniably racist artifact really belongs." -  Read More

The film critic, Mr Lumenick, may be considered brilliant in the world of  flap-jawed flunkey's, but misses an important point about the movie. Anyone who's read Margaret Mitchell's book "Gone With the Wind" recognizes immediately this is not a story about the civil war, but a fictional story set during the time of the civil war. And it was also not the days of making movies with explicit violence as is the hallmark of today's cinema. 
  
Perhaps, Mr.  Lumenick.  you would better service society by pointing your critical views at some of the films littered with unnecessary gratuitous violence that permeates modern film making and sometime influences young unstable minds to kill instead of salivating over the possible shunning of a masterfully made fictional piece from three generation ago.   

Make yourself useful for a change,  Mr Lumenick.

United Nations First Annual Meeting of the International Chicken Little "The Sky is Falling" Conference